01/28/14

Paul Ryan | Studio Visit Q&A

These images were shot on a recent visit to Paul Ryan‘s Thirroul studio. Ryan allowed us a look at his most recent work for the upcoming exhibition ‘Happy Days On The Leisure Coast’ at Olsen Irwin Works on Paper, Small Paintings and Sculpture. Ryan’s exhibition will be the first solo show in the recently relaunched Queen Street space, that showcases artists’ smaller and more accessible works. While at Ryan’s the studio, I had a chance to get answers to the questions I’d been itching to ask. Scroll down for the Q&A:

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OI. How do you feel about the focus on your personal life in the media – as the son of a catholic priest and catholic college worker, adopted into a family in New Zealand?
PR. I am very comfortable with the media focus on my personal life and the unique circumstances surrounding my conception, and subsequent adoption.

OI. We saw this influence your recent entry for The Blake Prize ‘My Real Daddy is a Priest’, 2013. Has this influenced much of your other work to date?
PR. ‘My Real Daddy is a Priest’, is the first work I have made regarding my biological father and adoption. I have nothing new to add at the present but don’t rule out more work on this topic at some stage.

PR_Studio_Jan2014_4webPR_Studio_Jan2014_12webOI. With your last exhibition titled ‘Wild Colonial Boys’ and a focus on male explorers, pioneers and first settlers, when will we see some wild colonial girls?
PR. One of the works in the upcoming show ‘Happy Days on the Leisure Coast’, is a group picnic scene with both men and women. Possibly more work to follow with images of colonial women in extravagant dress.

OI. We are beginning to see more references to the notion of a dandy in your work, this seems quite far removed from your life as an artist and surfer in Thirroul. Did you miss your calling?
PR. I have long been attracted to the idea of dressing as a dandy. The thing is, I live in Wollongong, well Thirroul to be precise and getting about as a dandy would draw the wrong sort of attention I suspect. Better to dress in a fashion that renders me inconspicuous. If, however I lived in New York or London, where the winters are very cold I could see myself developing a fine and dandy wardrobe.PR_Studio_Jan2014_13webPR_Studio_Jan2014_1webPaul Ryan
Happy Days On The Leisure Coast
Opening Saturday 1 March 2-4pm
Exhibition 26 February – 29 March 2014

Olsen Irwin
Works on Paper, Small Paintings and Sculpture
40 Queen Street
Woollahra NSW 2025
Tues to Sat 11-5 or by appoinment
+61 2 9363 0660 | info@olsengallery.com | www.olsengallery.com

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08/9/13

Peter Booth | Art Collector

Peter Booth‘s drawings have been included in Art Collector’s annual special of artworks available for $5,000 and less. The works are great entry level pieces for anybody wanting to start a collection, or for anyone wanting to add an established artist to their stable. Their strength is drawn from the haunting imagery of the anonymous figures and apocalyptic landscape.

“There is a quality of isolation – not loneliness – in his drawings and a dignity about the figures. Irwin suggests ‘they represent Everyman in the same way Henry Moore’s monolithic women represented Everywoman.'” – Amanda Woodard

Peter Booth’s available drawings as well as oil paintings can be viewed on the Olsen Irwin website.

Booth#10159

Peter Booth, Drawing 2004, Charcoal and pastel on paper, 21 x 18.5cm, $4,400

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Art Collector, Issue 65, July – September 2013

08/5/13

Olsen Irwin | Art Collector

Tim Olsen and Rex Irwin sat down with Helen McKenzie to discuss the gallery’s merger, the current art market and international art scene in the latest issue of Art Collector. Some great insight from two of the best in the business and a great read for all interested in the behind the scenes going ons at Olsen Irwin. Be sure to pick up a copy of Art Collector to read the article in it’s entirety.TimRex_ArtCollector_July2013Small

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05/5/13

LUCIAN FREUD – IMPORTANT ETCHINGS

Opening Wednesday 15 May 6 – 8pm
Exhibition 15 May – 2 June 2013
Exhibition floor talk by Rex Irwin Saturday 18 May 2pm

Lucian Freud ‘Girl Holding Her Foot’  AP  1985
etching, image size 69 x 54cm, paper size 89 x 72cm
Click here to view the exhibition

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