11 October 2017
OLSEN GRUIN is pleased to present “Ornithurae” a new selection of work by the Australian artist, photographer and environmentalist Leila Jeffreys.
Jeffreys has photographed native birds in her home country and the US (she was personally invited to shoot at Ojai Raptor Center, a sanctuary for wounded birds in California). Her unique work has featured everything from budgies to eagles; wrens to pigeons; cockatoos to hawks.
Olsen Gruin and Brooke Shields invite you to the opening of
ORNITHURAE VOLUME 1
Opening: Friday 13 October, 5–8pm
Exhibition continues until 12th November
September 13, 2017
The clean lines and colorful, minimal shapes in George Byrne’s photographs belie the busy, messy time in Los Angeles that led to their making. The Australian-born Byrne arrived in the city in 2010, after years of traveling. “I was personally in a very strange place when I got here,” he says. “No idea what I was doing with my life.”
Sep 13, 2017
George Byrne's photographic work makes my heart skip a beat. Using the urban Los Angeles landscape as his canvas, George captures forms and colour into unique compositions so they have an incredible alchemy and depth. His latest exhibition, NEW ORDER, includes twelve new works, capturing new compositions of color and geometric forms on the streets of LA - once again taking the ordinary and turning it into something extraordinary.
Sep 9, 2017
Stephen Ormandy has a way with colour. His bold and graphic paintings are strongly influenced by the natural world with a focus on colour and organic forms. His large scale oil paintings and cultural work are a synergy of line, shape and surface all working beautifully in harmony. For Stephen, colour is ''pure joy'' and his latest exhibition at the Olsen Gruin gallery is no exhibition.
OLSEN GRUIN NEW YORK
Six hard-edged paintings of curvy forms by the Australian artist and designer, who is making his New York solo début, evoke otherworldly figures and landscapes.
Mark Reddie interviewing Tim Olsen on ABC News Breakfast about the upcoming Robert Klippel exhibition at Sydney Contemporary 2017.
The sad-clown painting functions as a sort of postmodern joke: an ironic gesture that dives into bad taste while subtly nodding to art history—the clown’s origins can be traced back to the stock character Pierrot of the commedia dell’arte, after all. Wesley Martin Berg’s paintings of clowns are informed by this tradition, but he also imbues his subjects with a solemn grace.
July 15, 2017
Olsen Gruin is pleased to present “Sharing Country” curated by Adam Knight. "Sharing Country" show cases works by leading contemporary Aboriginal artists from the most remote desert communities. Featured artists include Sandy Brumby, Tommy Watson, Joseph Jurra Tjapaltjarri, Iluwanti Ken, Puna Yanima, Tuppy Ngintja Goodwin, Womens Collaborative, Barbara Moore, Tiger Palpatja, Witjiti George, Minnie Pwerle, Kudditji Kngwarreye, Kathy Maringka and Liddy Napanangka Walker.
A. E. Colas, Contributing Writer
July 3, 2017
This week’s Art Break takes groups as its theme. Group shows are a great way to learn about a culture, an art movement, a topic, or a new way to bring art to people. Our downtown pick this week is the full experience in one place: a brilliant display of Australian modern art created by Aboriginal artists. Visit this and our other picks for free – you’ll have a great time and come away with a new understanding of the power of art.
July 3, 2017
Group show season is upon us. That annual rite of summer, the group exhibition, has hit galleries all
over New York. If the wide selection seems overwhelming, rest easy.
We’ve scoured shows across the city to provide this helpful guide to the
best of the bunch. Enjoy!
Click here to read full article
April 07, 2017
Olsen Gruin Gallery in New York is hosting an exhibition “April Fools” by artist TV Moore that will be on view through May 7, 2017.
21 February 2017
Today we highlight the latest exhibition by Sydney artist Julian Meagher, which opens tomorrow at Olsen Gallery.
‘There is Hope to the Last Flower' confronts poignant issues, from the global to the personal, through unique compositions and unexpected, yet somehow beautiful symbols. Though they are depicted in a cool, muted palette, Julian's artworks are underpinned with luminous optimism.
14 September 2016
If painting is dead, as some art critics say, nobody told John Olsen. "I'd like to know the time of death," he says with the brightest of glints in his eye. "I'm alive. So painting isn't dead."
At 88 years old and widely considered Australia's greatest living painter, Olsen is about to launch his largest ever retrospective at the National Gallery of Victoria.
10 - 11 September 2016
John Olsen's second major retrospective, 25 years after the first, is a landmark for our greatest living artist
11 August 2016
One of the best exhibitions in Sydney at the moment is to be found not in the big museums but at the Olsen/Irwin Gallery in a quiet street in Woollahra. It is the work of Rex Irwin and reminds us of the loss his imminent retirement will represent: apart from anything else, he has been one of the only Sydney dealers with the expertise and contacts to present fine prints and drawings from the baroque to the modernist periods....
30 March 2016
Guy Warren has inspired many other artists with his inventive and curious approach to the landscape and human form. An Archibald Prize winner, educator and respected painter, his contribution to Australia’s visual culture has been enormous. At 95, Guy Warren is about to have a much awaited special focus survey curated by Barry Pearce.
3 October 2015
Paul Davies cuts his stencils with the same kind of scalpel blade his ophthalmologist father uses to slice into eyes. The results are different of course. Davies junior's use of the scalpel is potentially far less messy and brings forth images that are apparently serene and seemingly two-dimensional. Yet the issue of redefining vision is the same. That is a theme that has defined this 36-year-old artist's career to this date. Born in Sydney, now living in Los Angeles, he often uses mid-20th-century modern architecture in his work yet says what is there is not what it seems.
On the back of a sell out show at Merry Karnowsky Gallery in Los Angeles, Julian Meagher returns to his hometime of Sydney for his debut exhibition at Olsen Irwin, Drinking with the other Sun.
The exhibition extends on notions of ritual, identity and masculinity from previous bodies of work, exploring Australian identity and its emergence from imperial roots. A suite of still lifes feature robust native fauna juxtaposed by delicate images of the English rose - pointing to the British influence of our national identity- set in intricate compositions of meticulously arranged, reclaimed glass bottles.
The still lives are couples with portraits of the decedents of key figures in Australian history. Meagher’s soft, intimate approach to these works probes notions of personal versus collecting history and inheritance.
Meagher originally trained as a doctor, choosing to leave the world of medicine to pursue a career in art following a period of study in Florence. His unique watercolour- esque style somewhat reflects the traditional oil portraiture techniques he learned at this time; he applied multiple thin glazes over many sittings. One can see elements of his original training too, in his precise execution and a careful, specimen-like treatment of his subjects.
April 11-12th 2015
‘I have never feared failure,” says Anh Do, glancing up at one of his thick-layered paintings in his studio on the NSW south coast. “My father took us from Vietnam across to Australia — 40 people on a 9m-long fishing boat — and if he failed, 40 people including his wife and two baby children are dead. So I ask myself: if I fail at painting, are 40 people going to die? No? Then just move forward and have a go.”