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William Delafield Cook. A Survey

Gippsland Art Gallery
Simon Gregg
July 2011

William Delafield Cook. A Survey is the first survey exhibition of this significant Australian artist in over two decades.

Since the late 1970s Delafield Cook has worked almost exclusively with the Australian landscape - remarkably, from his studio in London. His paintings are characterised by a deadpan photo realism, yet they transcend the real altogether to speak of phenomena beyond our perception. Taken as a whole, his paintings elevate our understanding and appreciation of the Australian landscape to a new level.

This timely survey unites works from over a thirty year period, to provide a compelling document on the work of one of Australia's most acclaimed and accomplished artists.

Phantom Surge

Sydney Morning Herald
Lynne Dwyer
June 11 - 12 2011

Swirling white lines float above the golden yellow plains and vast skies in Philip Hunter's latest series of semi-abstract landscapes. A recurring motiff in the artists work, they shimmer with energy and almost pulse with light, like the afterburn of a sparkler.
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Olsen Finds New Shapes in the Vastness of the Landscape

The Sydney Morning Herald
Louise Schwartzkoff
June 9 2011

At a table laden with paint-crusted crockery, John Olsen slides his brush into a dish if curdling watercolour. The paint is as thick and creamy as the salt deposits on the surface of Lake Eyre. It bleeds at the edges when Olsen strokes his brush across a freshly painted indigo background. “Look there,” he says. “It’s alive. And there’s sort of a running figure, you see? Ill just give it some arms.”
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Masters at Work

Sydney Morning Herald- Spectrum
John McDonald
June 4-5th

Top dealers flocking to the influential Hong Kong art fair see it all, from young talent to genuine show- stoppers to the tasteless and over-priced, writes John McDonald.
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Patron, paint and the ceiling

Sydney Morning Herald
Matt Buchanan
May 28-29 2011

Earlier this month Sydney lost one of its great arts patrons, Ann Lewis, to cancer. Over the years Lewis enriched the culture, donating remarkable and extraordinarily valuable paintings, photography and sculpture to the Museum of Contemporary Art, the National Gallery of Australia and others
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Where to buy...

The Week

When Michael Johnson isn’t painting, he likes to go fishing at night, says Joyce Morgan in The Sydney Morning Herald. At night, “you have to feel what’s going on – it’s all communication by touch,” he says. Asking his students to paint blindfold gave them that same sense. Despite the shimmering bands of jewel like colour: “After a while you get a grasp on it, like the body movements of a dancer.”
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From the Heart

The Sydney Morning Herald
John McDonald

Despite contrasting views of the world, two artists find common ground by putting emotion before technique, writes John McDonald.

The conundrum of how to express one’s thoughts and feelings in a way that doesn’t become illustrative or didactic lies at the heart of abstract art. Many artists consider abstraction to be a logical progression, believing that once they have crossed the lines that separates them from strictly representational art there is no turning back. This made it doubly startling last week to see Michael Johnson’s extraordinary drawing of a snow leopard completes as part of last year’s artist’s project at Taronga Park Zoo.
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Painting Down Under: Artist Paul Davies

W Magazine Online
Timothy McCahil

For several years, and with hypnotic effect, Paul Davies has painted the same house over and over again. The house is always modernist – clean lines, hard angles – but the landscape around it changes constantly: in one piece, the house sits in a swamp; in another, a primeval forest, the skies above cloudy and foreboding. It’s a jarring juxtaposition, a nightmare version of an architecture magazine.

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When the Invisible Becomes Visible

The Sydney Morning Herald
Joyce Morgan

For artist Michael Johnson, size most definitely matters..
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The things that still move us: Philip Hunter in conversation with Fiona Hile

Art & Australia
Fiona Hile
April 2011

Philip Hunter has talked about his work as ‘an invariably complex field of conceptual possibilities and material outcomes; a zone where different foci, fragments, textures, perspectives, illusory spaces, moods and views coexist.’  A conversation with the artist can be as complex as one of his paintings, and when I visited him recently at his Melbourne studio where he was preparing for a forthcoming exhibition at Sydney’s Tim Olsen Gallery we discussed, among other things, his recent trip to Europe; his new ‘tropical inland sea’ paintings; Borges; Calvino; wasp nests; dog fences; horseshoes; memory palaces; horizons and ‘a vast book with no pages’ . What follows is a slice taken from that conversation.
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Olsen sees the light shining from a dead heart

Sydney Morning Herald
Wendy Frew

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Art 101

Inside Out
Leta Keens
April 2011

Love art but unsure how to start your own collection? Experts, curators and gallery directors reveal their tips on how to find what suits your taste, budget and home.
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Art Throbs

Hapers Bazaar
Jane Albert
May 2011

The hottest new creatives in the frame.
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Ben Ali Ong - Ballads of the Dead and Dreaming

Art Month Blog
Rhianna Walcott

With its darkly poetic title, Ballads of the Dead and Dreaming, Ben Ali Ong’s latest series will not disappoint those familiar with his ominous, seductive and moody photographs. The exhibition which is being shown at Tim Olsen Gallery, as part of Art Month Sydney, chronicles Ong’s ongoing fascination with ideas of mortality, spirituality and the subconscious.
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20 Questions

Sydney Morning Herald
Linda Morris

20 Questions
Guy Maestri

Archibald winner, Johnny Cash fan, Mudgee boy, coffee snob.

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Tony Magnusson
April 2011 edition

Paul Davies designs the artist page for the latest edition of GQ
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Broken Dreams of An Athlete

The Mosman Daily
Kate Crawford

The paintings in artist Sophie Cape’s first solo exhibition reflect the pain of her former career as a downhill ski racer. Sophie’s paintings have been described as “shocking in impact with their shattered bones and broken dreams”. Sophie grew up in Mosman and is the daughter of Mosman artist Ann Cape
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An abstract blast from the present

Sydney Morning Herald - SMH
John Macdonald

As floods follows droughts, the art dealers are hoping a new year will bring clients rushing back through their doors. The previous 12 months were so quiet and visitation so poor that 2011 simply has to be better. This may be an optimistic view, but only an optimist would ever open a commercial gallery. The problem has not been the quality of the shows but the dogged reluctance of buyers to succumb to their acquisitive impulses. The money was there but self-denial was practices with a rigour that is rarely seen in Sydney. As usual there are many shows crying out for attention, but at the risk of making an arbitrary connection, I’ll look at three exhibitions by three young painters working in completely different styles.. Sophie Cape, at the Tim Olsen Gallery is making her debut…  Cape, who is the youngest of these three artists but perhaps, the most confidant...
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24 Hours - The Arts Diary

Sydney Morning Herald

Cross a paintbrush with an adrenalin rush and you get artist Sophie Cape, pictured. A champion downhill skier until injuries forced a change of career, Cape describes her violent way with a brush as "a cathartic expulsion of energy". Her pyschological self portraits,
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Painting with an Adrenalin Brush

The Sunday Herald
Alicia Wood

Somewhere within Sophie Cape’s violent and visceral paintings is her biography. As the dirt and paint intersect on huge pieces of paper, the results tell the story of an elite athlete distraught after injures took away her goals. Cape was a champion skier who changed careers after serious knee and muscle injuries.
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