_back to previous page
My Exhibition with Tim Olsen Gallery develops the imaging of land and sky that has been a focus for me for the past 15 years. The broad source for this imagery comes from my experiences in central New South Wales, to where I often travel and where I am always an outsider, a visitor. It is my encounter there with distance, stillness and silence that I find memorable, and the imaging of this experience has propelled much of my recent painting.
June 6 2012
In an era of fleeting fads, Ann Thomson's works invite quiet contemplation, writes Joyce Morgan
On February 17 this year, Sophie Cape was painting alone on an Austrian mountain side, when a terrifying roar of wind heralded an avalanche. The Sydney artist was buried, along with 4 large canvases laid out on the snow.
8 May 2012
Mosman artist Jo Bertini's latest exhibition of desert paintings has a sad footnote. The paintings were inspired by her outback trip last year when she was due to meet up with ABC journalist Paul Lockyer.
However, Lockyer, his cameraman John Bean and pilot Gary Ticehurst, died in a helicopter crash on the eastern shore of Lake Eyre.
"I was devastated - I had only just been talking to Paul," Bertini said.
Nominated as a finalist for the past two years in the Sulman Prize at the Art Gallery of NSW, Jo Bertini’s art has come full circle. As a young, budding artist in the early 1980s, Jo eagerly left Australia for Milan and all the opportunities that Europe offered culturally and artistically. After being firmly ensconced in Italy and France for ten years, a brief visit to Australia saw Jo experience a ‘shock of recognition’ that Australia really was ‘home’.
Painter Gria Shead keeps the words of Australian still-life Margaret Olley in mind as she works. "Margaret always said, 'Paint what is in front of you' and it's a mantra that I live by," says the Sydney based artist. "what she meant is not to search too far from what's close to you and relates to your life. For her, that was painting her home. For me, it is finding a common thread linking me to the interiors of the buildings I paint."
April 25 2012
The evolution of sophisticated but relatively cheap digital cameras, the availability of computer software means pretty much anyone these days can call themselves a photographer.
If there are paintings on the walls of artist Martine Emdur's living room, I must have overlooked them. Dominating the room is a dramatic view of the Pacific Ocean, framed by French doors flung open on this balmy summer day. Fitting indeed, for the artist who has made her name exploring it's depths. "It's different every time I go underwater," says the petite Emdur, who has invited me into her home to see her latest body of work. "Theres endless amounts of offerings from down there, which I'm happy to grab."
John Olsen made the final touches to his latest ainting of Lake Eyre only a few days ago. Approaching Lake Eyre was his memorial to Paul Lockyer, the ABC journalist who died in a helicopter crash alongside cameraman John Bean and pilot Gary Ticehurst at Lake Eyre in August last year.
Jennifer Keeler-Milne’s recent work has investigated light and space in an urban context, partly created during residences in France and Japan. In travelling to Fowlers Gap, she was forced to engage in a different mode of looking She created a suit of drawings that were inspired by what covered the ground in this desert landscape – a rich abundance of flowers and plants that had spring to life following usually high rainfall. Keeler-Milne contrasted her detailed recordings of these plants and flowers with interpretations of the seemingly endless sky.
February 23 2012
We have always been fascinated by architectural fine art, whether it be Evan Hecox' city paintings or even the way that Ian Francis has incorporated buildings into his dreamy paintings. Today, we were stroked by the work of Australian artist Paul Davies, whose work is primarily concerns with modern architecture, and has been influences by the like of Jeffrey Smart and Frank Lloyd Wright.
17 Feb 2012
The Australian artist Adrienne Gaha has lived in Europe since 1993. This past summer she returned to Sydney for a solo show, a painting stint at a small studio with the National Art School and screen printing workshop in Melbourne after a fairly long hiatus from exhibiting. She took a seven-year break from painting to concentrate on her family, and in that time absorbed herself in drawing and exploring the more obscure small museums of Paris and London.